Exploration and Value of Digital Restoration Methods for Costumes in "Hongye Tishi Shinu Tu"
Author: Jianyi Wu
AMERICAN JOURNAL OF ADVANCED INTEGRATED SCIENCE , Volum 6. Number 2. 2024
Exploration and Value of Digital Restoration Methods for Costumes in "Hongye Tishi Shinu Tu"
Jianyi Wu
Abstract：
Hongye Tishi Shinu Tu (《红叶题诗仕女图》, Court Lady Inscribing Poetry on a Red Leaf) is a contentious painting frequently misattributed to Tang Yin in online discourse. At the same time, academic analysis of its calligraphic style and figural rendering identifies it as a later imitation. The exquisitely detailed depiction of garments in the painting demonstrates exceptional artistic skill and reflects Japan’s reverence for and synthesis of Chinese cultural traditions during the Edo period. This study focuses on Hongye Tishi Shinu Tu as its research subject, aiming to reconstruct the depicted garments' material, patterns, and artisanal details through digital technologies. By doing so, it seeks to elucidate the sartorial characteristics and cultural significance of the painting while exploring the broader implications of digital reconstruction for cultural heritage preservation and innovation. The research employs a multidisciplinary approach, integrating data acquisition, AI analysis, and 3D modeling techniques. Image proportion analysis and virtual fitting technologies are utilized to conduct multi-layered modeling and reconstruction of the garments. Photorealistic renderings are generated using Look AI software, while dynamic visualizations are achieved through CLO3D virtual fitting software, ensuring both precision and visual fidelity in the reconstruction outcomes. The study comprehensively reveals the structural features, decorative motifs, and artisanal techniques of the garments in Hongye Tishi Shinu Tu, highlighting its significance as a material witness to East Asian cultural exchange and hybridization. Digital reconstruction successfully restores the attire's spatial morphology and textural properties, offering innovative technical pathways for museum exhibitions and public engagement. This research demonstrates the unique role of digital technologies in enriching traditional cultural representation, enhancing public understanding, and fostering cultural re-creation. The digital reconstruction of historical garments achieves authentic, comprehensive, and three-dimensional restoration of artifacts and provides critical support for the preservation, dissemination, and innovative application of cultural heritage.
Key words:
Hongye Tishi Shinu Tu; Costume Restoration; Hayashi Rōen; Digital Technology
Fund:
How to cite:
Jianyi Wu. 2024. Exploration and Value of Digital Restoration Methods for Costumes in "Hongye Tishi Shinu Tu", American Journal of Advanced Integrated Science, 6(2): 119-136.
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TY - JOUR
TI - Exploration and Value of Digital Restoration Methods for Costumes in "Hongye Tishi Shinu Tu"
AU - Jianyi Wu
JO - American Journal of Advanced Integrated Science
AB - Hongye Tishi Shinu Tu (《红叶题诗仕女图》, Court Lady Inscribing Poetry on a Red Leaf) is a contentious painting frequently misattributed to Tang Yin in online discourse. At the same time, academic analysis of its calligraphic style and figural rendering identifies it as a later imitation. The exquisitely detailed depiction of garments in the painting demonstrates exceptional artistic skill and reflects Japan’s reverence for and synthesis of Chinese cultural traditions during the Edo period. This study focuses on Hongye Tishi Shinu Tu as its research subject, aiming to reconstruct the depicted garments' material, patterns, and artisanal details through digital technologies. By doing so, it seeks to elucidate the sartorial characteristics and cultural significance of the painting while exploring the broader implications of digital reconstruction for cultural heritage preservation and innovation. The research employs a multidisciplinary approach, integrating data acquisition, AI analysis, and 3D modeling techniques. Image proportion analysis and virtual fitting technologies are utilized to conduct multi-layered modeling and reconstruction of the garments. Photorealistic renderings are generated using Look AI software, while dynamic visualizations are achieved through CLO3D virtual fitting software, ensuring both precision and visual fidelity in the reconstruction outcomes. The study comprehensively reveals the structural features, decorative motifs, and artisanal techniques of the garments in Hongye Tishi Shinu Tu, highlighting its significance as a material witness to East Asian cultural exchange and hybridization. Digital reconstruction successfully restores the attire's spatial morphology and textural properties, offering innovative technical pathways for museum exhibitions and public engagement. This research demonstrates the unique role of digital technologies in enriching traditional cultural representation, enhancing public understanding, and fostering cultural re-creation. The digital reconstruction of historical garments achieves authentic, comprehensive, and three-dimensional restoration of artifacts and provides critical support for the preservation, dissemination, and innovative application of cultural heritage.
PD - 31/12/2024
Y1 - 2024
VL - 6
IS - 2
SP - 119
EP - 136
UR - https://www.ajais.org/toc/20240602/240602-119
J2 - Am. J. Adv. Integr. Sci.
LA - en
KW - Hongye Tishi Shinu Tu
KW - Costume Restoration
KW - Hayashi Rōen
KW - Digital Technology
ER -